Londres
Royal Festival Hall
Londres - Angleterre
Construction: 1951
Topologie du théâtre
Nombre de salles actives: 1
Salle 1: (2900) 1951 - Actif
Accès
En métro: Southbank Centre - Belvedere Road - London - SE1 8XX
En bus:
Adresse:
Evolution
Bâtiment:
Nom:
Propriétaire(s)
Remarquable
2900
1951 - Actif
Spectacle
Revival
10) ** Hors DB Spectacle (Revival)
Joué durant 2 semaines
Première preview: 19 December 2019
Première: 19 December 2019
Dernière: 05 January 2020
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène:
Chorégraphe:
Avec:
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Spectacle
Revival
9) Slava s Snowshow (Revival)
Joué durant 2 semaines
Première preview: 17 December 2014
Première: 18 December 2014
Dernière: 05 January 2015
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène:
Chorégraphe:
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Spectacle
Revival
8) Slava's Snowshow (Revival)
Joué durant 2 semaines
Première preview: 17 December 2014
Première: 17 December 2014
Dernière: 05 January 2015
Compositeur: ???? ???? •
Parolier: ???? ???? •
Libettiste: ???? ???? •
Metteur en scène: Slava Polunin •
Chorégraphe: Slava Polunin •
Avec:
Commentaire:
Presse: 'A magical work of wonder and a reminder that no one is ever too old to enjoy clowns.' Evening Standard
‘Pure magic. An evening of enchantment and fun’
Daily Express
‘Unmissable’
The Times
‘Simply thrilling’
The Independent
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Théâtre
Original
7) More Fool Me (Original)
Joué durant
Nb de représentations: 1 représentations
Première preview: 01 October 2014
Première: 01 October 2014
Dernière: 01 October 2014
Compositeur: *** Divers •
Parolier: *** Divers •
Libettiste: *** Divers •
Metteur en scène:
Chorégraphe:
Avec: Stephen Fry
Commentaire: Much loved, multiple award winning national treasure Stephen Fry published the first volume of his autobiography back in 1997. The typically candid 'Moab is My Washpot' covered the eventful first 20 years of his life and won a huge readership. 13 years later, he unleashed 'The Fry Chronicles', which took the story up to his 30th birthday and chronicled his initial success as a writer and performer. This became the UK's best-selling autobiography of 2010, so anticipation is at fever pitch for Fry's upcoming third volume, 'More Fool Me', which recounts his creative purple patch and the hard-partying excesses of the late Eighties and early Nineties. Broadcast live in HD from the Royal Festival Hall as part of the Southbank Centre's London Literature Festival, this unique event offers a sneak preview of the book's highlights performed in Fry's own inimitable style. (plus)
Presse:
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Musical
Revival
6) Carmen Jones (Revival)
Joué durant 1 mois
Première preview: 31 July 2007
Première: 31 July 2007
Dernière: 02 September 2007
Compositeur: Georges Bizet •
Parolier: Oscar Hammerstein II •
Libettiste: Oscar Hammerstein II •
Metteur en scène: Jude Kelly •
Chorégraphe: Tom Snow •
Avec: Tsakane Valentine Maswanganyi (Carmen Jones), Andrew Clarke (Joe), Sherry Boone (Cindy Lou), Rodney Clarke (Husky Miller), Andee-Louise Hypolite (Frankie) , Phillip Browne (Rum), Akiya Henry (Myrt), John Moabi (Dink), Brenda Edwards (Pearl) , Rolan Bell (Morrel), Joe Speare (Sargeant Brown), Joanna Francis (Mrs Higgins), George Daniel Long (Mr Higgins), Josie Benson, Stuart Bowden, Peter Brathwaite, Jina Burrows, Angela Caesar, Ian Carlyle, Darren Charles, Laurence De Maeyer, Leroy Dias Dos Santos, Ramon Diaz Crosdale, Herve Goffings, Celia Grannum, Yolanda Grant-Thompson, Divine Harrison, Welly Locoh Donou, Tania Mathurin, Terel Nugent, Kelechi Sarah Nwanokwu, Ngo Omene-Ngofa, Joanna Riseboro, Tarisha Rommick, AleSandra Seutin, Nadine Smith, Antontio Tengroth, Jordene Thomas, Kenny Thompson.
Commentaire: By placing the London Philharmonic Orchestra in a pit in the middle of the stage, this production obliged the performers to confine the action to a narrow perimeter, restricting the dramatic momentum and creating a musical-concert hybrid – neither a purely concert-version, nor a staged production. However, the quality of the performers more than compensated, and the overall critical verdict was favourable. (plus)
Presse:
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Musical
Concert
5) Sweeney Todd (Concert)
Joué durant
Première preview: 05 July 2007
Première: 05 July 2007
Dernière: 07 July 2007
Compositeur: Stephen Sondheim •
Parolier: Stephen Sondheim •
Libettiste: Hugh Wheeler •
Metteur en scène:
Chorégraphe: Denis L. Sayers •
Avec: Bryn Terfel (Sweeney Todd), Maria Friedman (Mrs Lovett), Daniel Boys (Anthony), Philip Quast (Judge Turpin), Steve Elias (Beadle) Emma Williams (Johanna), Daniel Evans (Tobias), Adrian Thompson (Pirelli), Rosemary Ashe (Beggar Woman)
Commentaire: Accompanied by the London Philharmonia Orchestra, this was a semi-staged concert version performed in the newly refurbished Royal Festival Hall, combining the greatest Wagnerian voice of our age with one of the greatest West End performers of our time, and adding a thrilling chorus made up of students from the Guildford School of Acting. Unlike the earlier cut-down John Doyle version, this was given the full orchestral works. Bryn Terfel gave a hugely praised performance, as did Maria Friedman and the rest of the supporting cast. Accepting that a fully staged production is not possible in a concert hall, for many, this was a dream cast. (plus)
Presse:
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Musical
Revival
4) On your toes (Revival)
Joué durant 1 mois
Première preview: 07 August 2003
Première: 07 August 2003
Dernière: 06 September 2003
Compositeur: Richard Rodgers •
Parolier: Lorenz M. Hart •
Libettiste: Geoffrey Abbott • Richard Rodgers •
Metteur en scène: Paul Kerryson •
Chorégraphe: Adam Cooper •
Avec: Sarah Wildor (Vera Baronova), Adam Cooper (Junior), Anna-Jane Casey (Frankie), Simon Coulthard (Sidney Cohn), Kathryn Evans (Peggy Porterfield), Russell Dixon (Sergei) Irek Mukhamedov/Ewan Wardrop (Konstantine Morr os ine), Greg Pichery, Gabrielle Noble,
Matthew Malthouse.
Commentaire: With three former Royal Ballet stars - Adam Cooper, Sarah Wildor and Irek Mukhamedov - this was a special treat, even allowing for restrictions imposed by staging it in a concert hall. In spite of the brilliant dancing display on offer, many critics felt Kathryn Evans stole the show. (plus)
Presse:
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Musical
Revival
3) Peter Pan - A musical adventure (Revival)
Joué durant 3 semaines
Première preview: 19 December 2002
Première: 19 December 2002
Dernière: 12 January 2003
Compositeur: George Stiles •
Parolier: Anthony Drewe •
Libettiste: Anthony Drewe • Willis Hall •
Metteur en scène: Ian Talbot •
Chorégraphe: Gillian Gregory •
Avec: Susannah York (Narrator) James Gillan (Peter Pan), Lottie Mayor (Wendy), Claire Moore (Mrs Darling), Richard Wilson (Mr Darling/Captain Hook), David Bamber (Smee), Merv Addibb (Nana), Philip Scutt (Slightly), Sinta Soekadar (Tiger Lily), Jordan Metcalfe (Nibs), Ian Caddick, John Conroy
Commentaire: This had originally been staged as a one-night semi-staged concert-version, as a “work in progress at the Royal Festival Hall (See: April 26th 2001)
This was an expanded version with a lot more staging. (plus)
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Musical
Concert
2) Follies (Concert)
Joué durant 3 semaines
Nb de représentations: 32 représentations
Première preview: 02 August 2002
Première: 06 August 2002
Dernière: 31 August 2002
Compositeur: Stephen Sondheim •
Parolier: Stephen Sondheim •
Libettiste: James Goldman •
Metteur en scène: Paul Kerryson •
Chorégraphe: David Needham •
Avec: Phyllis Rogers Stone - Louise Gold / Benjamin Stone - David Durham / Sally Durant Plummer - Kathryn Evans / Buddy Plummer - Henry Goodman / Young Phyllis - Kerry Jay / Young Ben - Hugh Maynard / Young Sally - Emma Clifford / Young Buddy - Matthew Cammelle / Stella Deems - Shezwae Powell / Hattie Walker - Joan Savage / Carlotta Campion - Diane Langton / Solange La Fitte - Anna Nicholas / Heidi Schiller - Julia Goss / Young Heidi - Philippa Healey / Emily Whitman - Myra Sands / Young Stella - Keisha Marina Atwell / Margie - Tiffany Graves / Dimitri Weismann - Russell Dixon / Roscoe - Paul Bentley / Theodore Whitman - Tony Kemp / Max - Nick Hamilton
Commentaire: This was the “original” Broadway version as preferred by Sondheim, though several critics expressed their preference for the 1987 London version. It was given as a “proper” staging, though the restrictions of a 3,000 seat concert hall seemed to work against it. However, the performances of Kathryn Evans and Joan Savage were especially praised. (plus)
Presse:
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